Tony McKibbin writes for various magazines and journals in the UK and elsewhere. The website is a work in progress.

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Recent articles

Philippe Garrel

23/10/2023
A Sorrow Beyond Self

It has become a truism that we recover from a break-up as we might recover from drugs, and science proves it: that the level of oxytocin flooding the brain resembles the pleasure principle of a good fix. The removal of the loved one, or the drug, leaves us bodily distraught. Is there any filmmaker who has coincided with this idle scientific fact and turned it into an aesthetic ongoing first princi…

Additional Pieces

Movies and Meaning

18/06/2026
Symptomisation in 21st Century Film

From a Western perspective, and probably the world’s, the most important events of the 21st century have been the atrocities of 9/11, the 2008 financial crash, and Covid, which started in late 2019. There have been important wars, disasters, movements and political surprises, including the conflicts in Iraq, Afghanistan, Ukraine and Gaza, the 2004 Tsunami in South East Asia, and also the 201…

Film

The Altar of the Dead

18/02/2026
Consummating the Unconsummated

In ‘The Altar of the Dead’, Henry James might appear at his most morbid, but one way of thinking about James’s work is the attenuation of cause and effect. Here, a man goes each day to church and lights a candle to the various dead who are no longer in his life, including and most especially Mary Antrim, a woman he was due to marry. There, he sees a younger woman who is lighting …

Literature

Perversities

01/04/2026

1 He told the story as if searching for its ending, aware that there was more to the telling than he could presently convey. Five of us were sitting outside, around a small table at a pub in Marchmont. It was mid-summer, and the weather was as warm as we could ever recall. We were all in tee-shirts commenting on the weeks of dry, windless heat, and, of course, couldn’t help wondering if this…

Fiction

The Cheviot, The Stag and the Black, Black Oil

27/05/2026

There is nothing like an arts body to tell people what they don’t want. John McGrath writes of raising funds for The Cheviot, the Stag, and The Black, Black Oil. “The Scottish Arts Council Drama Committee had at first displayed incredulity. They thought Highlanders didn’t want to know about the Clearances, the politics of oil and such, and anyway wouldn’t pay to see a theat…

Miscellaneous
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